the collection of short stories/kumpulan short story

-->

HIDE AND SEEK

by: Fyodor Sologub (1863-1927)

The following story is reprinted from Best Russian Short Stories. Ed. Thomas Seltzer. New York: Boni & Liveright, 1917.

Everything in Lelechka's nursery was bright, pretty, and cheerful. Lelechka's sweet voice charmed her mother. Lelechka was a delightful child. There was no other such child, there never had been, and there never would be. Lelechka's mother, Serafima Aleksandrovna, was sure of that. Lelechka's eyes were dark and large, her cheeks were rosy, her lips were made for kisses and for laughter. But it was not these charms in Lelechka that gave her mother the keenest joy. Lelechka was her mother's only child. That was why every movement of Lelechka's bewitched her mother. It was great bliss to hold Lelechka on her knees and to fondle her; to feel the little girl in her arms--a thing as lively and as bright as a little bird.

To tell the truth, Serafima Aleksandrovna felt happy only in the nursery. She felt cold with her husband.

Perhaps it was because he himself loved the cold--he loved to drink cold water, and to breathe cold air. He was always fresh and cool, with a frigid smile, and wherever he passed cold currents seemed to move in the air.

The Nesletyevs, Sergey Modestovich and Serafima Aleksandrovna, had married without love or calculation, because it was the accepted thing. He was a young man of thirty-five, she a young woman of twenty-five; both were of the same circle and well brought up; he was expected to take a wife, and the time had come for her to take a husband.

It even seemed to Serafima Aleksandrovna that she was in love with her future husband, and this made her happy. He looked handsome and well-bred; his intelligent grey eyes always preserved a dignified expression; and he fulfilled his obligations of a fiancé with irreproachable gentleness.

The bride was also good-looking; she was a tall, dark-eyed, dark-haired girl, somewhat timid but very tactful. He was not after her dowry, though it pleased him to know that she had something. He had connexions, and his wife came of good, influential people. This might, at the proper opportunity, prove useful. Always irreproachable and tactful, Nesletyev got on in his position not so fast that any one should envy him, nor yet so slow that he should envy any one else--everything came in the proper measure and at the proper time.

After their marriage there was nothing in the manner of Sergey Modestovich to suggest anything wrong to his wife. Later, however, when his wife was about to have a child, Sergey Modestovich established connexions elsewhere of a light and temporary nature. Serafima Aleksandrovna found this out, and, to her own astonishment, was not particularly hurt; she awaited her infant with a restless anticipation that swallowed every other feeling.

A little girl was born; Serafima Aleksandrovna gave herself up to her. At the beginning she used to tell her husband, with rapture, of all the joyous details of Lekchka's existence. But she soon found that he listened to her without the slightest interest, and only from the habit of politeness. Serafima Aleksandrovna drifted farther and farther away from him. She loved her little girl with the ungratified passion that other women, deceived in their husbands, show their chance young lovers.

"Mamochka, let's play priatki" (hide and seek), cried Lelechka, pronouncing the r like the l, so that the word sounded "pliatki."

This charming inability to speak always made, Serafima Aleksandrovna smile with tender rapture. Lelechka then ran away, stamping with her plump little legs over the carpets, and hid herself behind the curtains near her bed.

"Tiu-tiu, mamochka!" she cried out in her sweet, laughing voice, as she looked out with a single roguish eye.

"Where is my baby girl?" the mother asked, as she looked for Lelechka and made believe that she did not see her.

And Lelechka poured out her rippling laughter in her hiding place. Then she came out a little farther, and her mother, as though she had only just caught sight of her, seized her by her little shoulders and exclaimed joyously: "Here she is, my Lelechka!"

Lelechka laughed long and merrily, her head close to her mother's knees, and all of her cuddled up between her mother's white hands. Her mother's eyes glowed with passionate emotion.

"Now, mamochka, you hide," said Lelechka, as she ceased laughing.

Her mother went to hide. Lelechka turned away as though not to see, but watched her mamochka stealthily all the time. Mamma hid behind the cupboard, and exclaimed: "Tiu-tiu, baby girl!"

Lelechka ran round the room and looked into all the corners, making believe, as her mother had done before, that she was seeking--though she really knew all the time where her mamochka was standing.

"Where's my mamochka?" asked Lelechka. "She's not here, and she's not here," she kept on repeating, as she ran from corner to corner.

Her mother stood, with suppressed breathing, her head pressed against the wall, her hair somewhat disarranged. A smile of absolute bliss played on her red lips.

The nurse, Fedosya, a good-natured and fine-looking, if somewhat stupid woman, smiled as she looked at her mistress with her characteristic expression, which seemed to say that it was not for her to object to gentlewomen's caprices. She thought to herself: "The mother is like a little child herself--look how excited she is."

Lelechka was getting nearer her mother's corner. Her mother was growing more absorbed every moment by her interest in the game; her heart beat with short quick strokes, and she pressed even closer to the wall, disarranging her hair still more. Lelechka suddenly glanced toward her mother's corner and screamed with joy.

"I've found 'oo," she cried out loudly and joyously, mispronouncing her words in a way that again made her mother happy.

She pulled her mother by her hands to the middle of the room, they were merry and they laughed; and Lelechka again hid her head against her mother's knees, and went on lisping and lisping, without end, her sweet little words, so fascinating yet so awkward.

Sergey Modestovich was coming at this moment toward the nursery. Through the half-closed doors he heard the laughter, the joyous outcries, the sound of romping. He entered the nursery, smiling his genial cold smile; he was irreproachably dressed, and he looked fresh and erect, and he spread round him an atmosphere of cleanliness, freshness and coldness. He entered in the midst of the lively game, and he confused them all by his radiant coldness. Even Fedosya felt abashed, now for her mistress, now for herself. Serafima Aleksandrovna at once became calm and apparently cold--and this mood communicated itself to the little girl, who ceased to laugh, but looked instead, silently and intently, at her father.

Sergey Modestovich gave a swift glance round the room. He liked coming here, where everything was beautifully arranged; this was done by Serafima Aleksandrovna, who wished to surround her little girl, from her very infancy, only with the loveliest things. Serafima Aleksandrovna dressed herself tastefully; this, too, she did for Lelechka, with the same end in view. One thing Sergey Modestovich had not become reconciled to, and this was his wife's almost continuous presence in the nursery.

"It's just as I thought... I knew that I'd find you here," he said with a derisive and condescending smile.

They left the nursery together. As he followed his wife through the door Sergey Modestovich said rather indifferently, in an incidental way, laying no stress on his words: "Don't you think that it would be well for the little girl if she were sometimes without your company? Merely, you see, that the child should feel its own individuality," he explained in answer to Serafima Aleksandrovna's puzzled glance.

"She's still so little," said Serafima Aleksandrovna.

"In any case, this is but my humble opinion. I don't insist. It's your kingdom there."

"I'll think it over," his wife answered, smiling, as he did, coldly but genially.

Then they began to talk of something else.

II

Nurse Fedosya, sitting in the kitchen that evening, was telling the silent housemaid Darya and the talkative old cook Agathya about the young lady of the house, and how the child loved to play priatki with her mother--"She hides her little face, and cries 'tiutiu'!"

"And the mistress herself is like a little one," added Fedosya, smiling.

Agathya listened and shook her head ominously; while her face became grave and reproachful.

"That the mistress does it, well, that's one thing; but that the young lady does it, that's bad."

"Why?" asked Fedosya with curiosity.

This expression of curiosity gave her face the look of a wooden, roughly-painted doll.

"Yes, that's bad," repeated Agathya with conviction. "Terribly bad!"

"Well?" said Fedosya, the ludicrous expression of curiosity on her face becoming more emphatic.

"She'll hide, and hide, and hide away," said Agathya, in a mysterious whisper, as she looked cautiously toward the door.

"What are you saying?" exclaimed Fedosya, frightened.

"It's the truth I'm saying, remember my words," Agathya went on with the same assurance and secrecy. "It's the surest sign."

The old woman had invented this sign, quite suddenly, herself; and she was evidently very proud of it.

III

Lelechka was asleep, and Serafima Aleksandrovna was sitting in her own room, thinking with joy and tenderness of Lelechka. Lelechka was in her thoughts, first a sweet, tiny girl, then a sweet, big girl, then again a delightful little girl; and so until the end she remained mamma's little Lelechka.

Serafima Aleksandrovna did not even notice that Fedosya came up to her and paused before her. Fedosya had a worried, frightened look.

"Madam, madam," she said quietly, in a trembling voice.

Serafima Aleksandrovna gave a start. Fedosya's face made her anxious.

"What is it, Fedosya?" she asked with great concern. "Is there anything wrong with Lelechka?"

"No, madam," said Fedosya, as she gesticulated with her hands to reassure her mistress and to make her sit down. "Lelechka is asleep, may God be with her! Only I'd like to say something--you see--Lelechka is always hiding herself--that's not good."

Fedosya looked at her mistress with fixed eyes, which had grown round from fright.

"Why not good?" asked Serafima Aleksandrovna, with vexation, succumbing involuntarily to vague fears.

"I can't tell you how bad it is," said Fedosya, and her face expressed the most decided confidence.

"Please speak in a sensible way," observed Serafima Aleksandrovna dryly. "I understand nothing of what you are saying."

"You see, madam, it's a kind of omen," explained Fedosya abruptly, in a shamefaced way.

"Nonsense!" said Serafima Aleksandrovna.

She did not wish to hear any further as to the sort of omen it was, and what it foreboded. But, somehow, a sense of fear and of sadness crept into her mood, and it was humiliating to feel that an absurd tale should disturb her beloved fancies, and should agitate her so deeply.

"Of course I know that gentlefolk don't believe in omens, but it's a bad omen, madam," Fedosya went on in a doleful voice, "the young lady will hide, and hide..."

Suddenly she burst into tears, sobbing out loudly: "She'll hide, and hide, and hide away, angelic little soul, in a damp grave," she continued, as she wiped her tears with her apron and blew her nose.

"Who told you all this?" asked Serafima Aleksandrovna in an austere low voice.

"Agathya says so, madam," answered Fedosya; "it's she that knows."

"Knows!" exclaimed Serafima Aleksandrovna in irritation, as though she wished to protect herself somehow from this sudden anxiety. "What nonsense! Please don't come to me with any such notions in the future. Now you may go."

Fedosya, dejected, her feelings hurt, left her mistress.

"What nonsense! As though Lelechka could die!" thought Serafima Aleksandrovna to herself, trying to conquer the feeling of coldness and fear which took possession, of her at the thought of the possible death of Lelechka. Serafima Aleksandrovna, upon reflection, attributed these women's beliefs in omens to ignorance. She saw clearly that there could be no possible connexion between a child's quite ordinary diversion and the continuation of the child's life. She made a special effort that evening to occupy her mind with other matters, but her thoughts returned involuntarily to the fact that Lelechka loved to hide herself.

When Lelechka was still quite small, and had learned to distinguish between her mother and her nurse, she sometimes, sitting in her nurse's arms, made a sudden roguish grimace, and hid her laughing face in the nurse's shoulder. Then she would look out with a sly glance.

Of late, in those rare moments of the mistress' absence from the nursery, Fedosya had again taught Lelechka to hide; and when Lelechka's mother, on coming in, saw how lovely the child looked when she was hiding, she herself began to play hide and seek with her tiny daughter.

IV

The next day Serafima Aleksandrovna, absorbed in her joyous cares for Lelechka, had forgotten Fedosya's words of the day before.

But when she returned to the nursery, after having ordered the dinner, and she heard Lelechka suddenly cry "Tiu-tiu!" from under the table, a feeling of fear suddenly took hold of her. Though she reproached herself at once for this unfounded, superstitious dread, nevertheless she could not enter wholeheartedly into the spirit of Lelechka's favourite game, and she tried to divert Lelechka's attention to something else.

Lelechka was a lovely and obedient child. She eagerly complied with her mother's new wishes. But as she had got into the habit of hiding from her mother in some corner, and of crying out "Tiu-tiu!" so even that day she returned more than once to the game.

Serafima Aleksandrovna tried desperately to amuse Lelechka. This was not so easy because restless, threatening thoughts obtruded themselves constantly.

"Why does Lelechka keep on recalling the tiu-tiu? Why does she not get tired of the same thing--of eternally closing her eyes, and of hiding her face? Perhaps," thought Serafima Aleksandrovna, "she is not as strongly drawn to the world as other children, who are attracted by many things. If this is so, is it not a sign of organic weakness? Is it not a germ of the unconscious non-desire to live?"

Serafima Aleksandrovna was tormented by presentiments. She felt ashamed of herself for ceasing to play hide and seek with Lelechka before Fedosya. But this game had become agonising to her, all the more agonising because she had a real desire to play it, and because something drew her very strongly to hide herself from Lelechka and to seek out the hiding child. Serafima Aleksandrovna herself began the game once or twice, though she played it with a heavy heart. She suffered as though committing an evil deed with full consciousness.

It was a sad day for Serafima Aleksandrovna.

V

Lelechka was about to fall asleep. No sooner had she climbed into her little bed, protected by a network on all sides, than her eyes began to close from fatigue. Her mother covered her with a blue blanket. Lelechka drew her sweet little hands from under the blanket and stretched them out to embrace her mother. Her mother bent down. Lelechka, with a tender expression on her sleepy face, kissed her mother and let her head fall on the pillow. As her hands hid themselves under the blanket Lelechka whispered: "The hands tiu-tiu!"

The mother's heart seemed to stop--Lelechka lay there so small, so frail, so quiet. Lelechka smiled gently, closed her eyes and said quietly: "The eyes tiu-tiu!"

Then even more quietly: "Lelechka tiu-tiu!"

With these words she fell asleep, her face pressing the pillow. She seemed so small and so frail under the blanket that covered her. Her mother looked at her with sad eyes.

Serafima Aleksandrovna remained standing over Lelechka's bed a long while, and she kept looking at Lelechka with tenderness and fear.

"I'm a mother: is it possible that I shouldn't be able to protect her?" she thought, as she imagined the various ills that might befall Lelechka.

She prayed long that night, but the prayer did not relieve her sadness.

VI

Several days passed. Lelechka caught cold. The fever came upon her at night. When Serafima Aleksandrovna, awakened by Fedosya, came to Lelechka and saw her looking so hot, so restless, and so tormented, she instantly recalled the evil omen, and a hopeless despair took possession of her from the first moments.

A doctor was called, and everything was done that is usual on such occasions--but the inevitable happened. Serafima Aleksandrovna tried to console herself with the hope that Lelechka would get well, and would again laugh and play--yet this seemed to her an unthinkable happiness! And Lelechka grew feebler from hour to hour.

All simulated tranquillity, so as not to frighten Serafima Aleksandrovna, but their masked faces only made her sad.

Nothing made her so unhappy as the reiterations of Fedosya, uttered between sobs: "She hid herself and hid herself, our Lelechka!"

But the thoughts of Serafima Aleksandrovna were confused, and she could not quite grasp what was happening.

Fever was consuming Lelechka, and there were times when she lost consciousness and spoke in delirium. But when she returned to herself she bore her pain and her fatigue with gentle good nature; she smiled feebly at her mamochka, so that her mamochka should not see how much she suffered. Three days passed, torturing like a nightmare. Lelechka grew quite feeble. She did not know that she was dying.

She glanced at her mother with her dimmed eyes, and lisped in a scarcely audible, hoarse voice: "Tiu-tiu, mamochka! Make tiu-tiu, mamochka!"

Serafima Aleksandrovna hid her face behind the curtains near Lelechka's bed. How tragic!

"Mamochka!" called Lelechka in an almost inaudible voice.

Lelechka's mother bent over her, and Lelechka, her vision grown still more dim, saw her mother's pale, despairing face for the last time.

"A white mamochka!" whispered Lelechka.

Mamochka's white face became blurred, and everything grew dark before Lelechka. She caught the edge of the bed-cover feebly with her hands and whispered: "Tiu-tiu!"

Something rattled in her throat; Lelechka opened and again closed her rapidly paling lips, and died.

Serafima Aleksandrovna was in dumb despair as she left Lelechka, and went out of the room. She met her husband.

"Lelechka is dead," she said in a quiet, dull voice.

Sergey Modestovich looked anxiously at her pale face. He was struck by the strange stupor in her formerly animated handsome features.

VII

Lelechka was dressed, placed in a little coffin, and carried into the parlour. Serafima Aicksandrovna was standing by the coffin and looking dully at her dead child. Sergey Modestovich went to his wife and, consoling her with cold, empty words, tried to draw her away from the coffin. Seranma Aleksandrovna smiled.

"Go away," she said quietly. "Lelechka is playing. She'll be up in a minute."

"Sima, my dear, don't agitate yourself," said Sergey Modestovich in a whisper. "You must resign yourself to your fate."

"She'll be up in a minute," persisted Serafima Aleksandrovna, her eyes fixed on the dead little girl.

Sergey Modestovich looked round him cautiously: he was afraid of the unseemly and of the ridiculous.

"Sima, don't agitate yourself," he repeated. "This would be a miracle, and miracles do not happen in the nineteenth century."

No sooner had he said these words than Sergey Modestovich felt their irrelevance to what had happened. He was confused and annoyed.

He took his wife by the arm, and cautiously led her away from the coffin. She did not oppose him.

Her face seemed tranquil and her eyes were dry. She went into the nursery and began to walk round the room, looking into those places where Lelechka used to hide herself. She walked all about the room, and bent now and then to look under the table or under the bed, and kept on repeating cheerfully: "Where is my little one? Where is my Lelechka?"

After she had walked round the room once she began to make her quest anew. Fedosya, motionless, with dejected face, sat in a corner, and looked frightened at her mistress; then she suddenly burst out sobbing, and she wailed loudly:

"She hid herself, and hid herself, our Lelechka, our angelic little soul!"

Serafima Aleksandrovna trembled, paused, cast a perplexed look at Fedosya, began to weep, and left the nursery quietly.

VIII

Sergey Modestovich hurried the funeral. He saw that Serafima Aleksandrovna. was terribly shocked by her sudden misfortune, and as he feared for her reason he thought she would more readily be diverted and consoled when Lelechka was buried.

Next morning Serafima Aleksandrovna dressed with particular care--for Lelechka. When she entered the parlour there were several people between her and Lelechka. The priest and deacon paced up and down the room; clouds of blue smoke drifted in the air, and there was a smell of incense. There was an oppressive feeling of heaviness in Serafima Aleksandrovna's head as she approached Lelechka. Lelechka lay there still and pale, and smiled pathetically. Serafima Aleksandrovna laid her cheek upon the edge of Lelechka's coffin, and whispered: "Tiu-tiu, little one!"

The little one did not reply. Then there was some kind of stir and confusion around Serafima Aleksandrovna; strange, unnecessary faces bent over her, some one held her--and Lelechka was carried away somewhere.

Serafima Aleksandrovna stood up erect, sighed in a lost way, smiled, and called loudly: "Lelechka!"

Lelechka was being carried out. The mother threw herself after the coffin with despairing sobs, but she was held back. She sprang behind the door, through which Lelechka had passed, sat down there on the floor, and as she looked through the crevice, she cried out: "Lelechka, tiu-tiu!"

Then she put her head out from behind the door, and began to laugh.

Lelechka was quickly carried away from her mother, and those who carried her seemed to run rather than to walk.

-->

A CHARMING WOMAN

by: Jerome K. Jerome (1859-1927)

The following short story is reprinted from Sketches in Lavender, Blue and Green. Jerome K. Jerome. London: Longmans, Green, and Co., 1897.

“Not the Mr. ---, really?”

In her deep brown eyes there lurked pleased surprise, struggling with wonder. She looked from myself to the friend who introduced us with a bewitching smile of incredulity, tempered by hope.

He assured her, adding laughingly, “The only genuine and original,” and left us.

“I’ve always thought of you as a staid, middle-aged man,” she said, with a delicious little laugh, then added in low soft tones, “I’m so very pleased to meet you, really.”

The words were conventional, but her voice crept round one like a warm caress.

“Come and talk to me,” she said, seating herself upon a small settee, and making room for me.

I sat down awkwardly beside her, my head buzzing just a little, as with one glass too many of champagne. I was in my literary childhood. One small book and a few essays and criticisms, scattered through various obscure periodicals had been as yet my only contributions to current literature. The sudden discovery that I was the Mr. Anybody, and that charming women thought of me, and were delighted to meet me, was a brain-disturbing thought.

“And it was really you who wrote that clever book?” she continued, “and all those brilliant things, in the magazines and journals. Oh, it must be delightful to be clever.”

She gave breath to a little sigh of vain regret that went to my heart. To console her I commenced a laboured compliment, but she stopped me with her fan. On after reflection I was glad she had—it would have been one of those things better expressed otherwise.

“I know what you are going to say,” she laughed, “but don’t. Besides, from you I should not know quite how to take it. You can be so satirical.”

I tried to look as though I could be, but in her case would not.

She let her ungloved hand rest for an instant upon mine. Had she left it there for two, I should have gone down on my knees before her, or have stood on my head at her feet—have made a fool of myself in some way or another before the whole room full. She timed it to a nicety.

“I don’t want you to pay me compliments,” she said, “I want us to be friends. Of course, in years, I’m old enough to be your mother.” (By the register I should say she might have been thirty-two, but looked twenty-six. I was twenty-three, and I fear foolish for my age.) “But you know the world, and you’re so different to the other people one meets. Society is so hollow and artificial; don’t you find it so? You don’t know how I long sometimes to get away from it, to know someone to whom I could show my real self, who would understand me. You’ll come and see me sometimes—I’m always at home on Wednesdays—and let me talk to you, won’t you, and you must tell me all your clever thoughts.”

It occurred to me that, maybe, she would like to hear a few of them there and then, but before I had got well started a hollow Society man came up and suggested supper, and she was compelled to leave me. As she disappeared, however, in the throng, she looked back over her shoulder with a glance half pathetic, half comic, that I understood. It said, “Pity me, I’ve got to be bored by this vapid, shallow creature,” and I did.

I sought her through all the rooms before I went. I wished to assure her of my sympathy and support. I learned, however, from the butler that she had left early, in company with the hollow Society man.

A fortnight later I ran against a young literary friend in Regent Street, and we lunched together at the Monico.

“I met such a charming woman last night,” he said, “a Mrs. Clifton Courtenay, a delightful woman.”

“Oh, do you know her?” I exclaimed. “Oh, we’re very old friends. She’s always wanting me to go and see her. I really must.”

“Oh, I didn’t know you knew her,” he answered. Somehow, the fact of my knowing her seemed to lessen her importance in his eyes. But soon he recovered his enthusiasm for her.

“A wonderfully clever woman,” he continued. “I’m afraid I disappointed her a little though.” He said this, however, with a laugh that contradicted his words. “She would not believe I was the Mr. Smith. She imagined from my book that I was quite an old man.”

I could see nothing in my friend’s book myself to suggest that the author was, of necessity, anything over eighteen. The mistake appeared to me to display want of acumen, but it had evidently pleased him greatly.

“I felt quite sorry for her,” he went on, “chained to that bloodless, artificial society in which she lives. ‘You can’t tell,’ she said to me, ‘how I long to meet someone to whom I could show my real self—who would understand me.’ I’m going to see her on Wednesday.”

I went with him. My conversation with her was not as confidential as I had anticipated, owing to there being some eighty other people present in a room intended for the accommodation of eight; but after surging round for an hour in hot and aimless misery—as very young men at such gatherings do, knowing as a rule only the man who has brought them, and being unable to find him—I contrived to get a few words with her.

She greeted me with a smile, in the light of which I at once forgot my past discomfort, and let her fingers rest, with delicious pressure, for a moment upon mine.

“How good of you to keep your promise,” she said. “These people have been tiring me so. Sit here, and tell me all you have been doing.”

She listened for about ten seconds, and then interrupted me with—

“And that clever friend of yours that you came with. I met him at dear Lady Lennon’s last week. Has he written anything?”

I explained to her that he had.

“Tell me about it?” she said. “I get so little time for reading, and then I only care to read the books that help me,” and she gave me a grateful look more eloquent than words.

I described the work to her, and wishing to do my friend justice I even recited a few of the passages upon which, as I knew, he especially prided himself.

One sentence in particular seemed to lay hold of her. “A good woman’s arms round a man’s neck is a lifebelt thrown out to him from heaven.”

“How beautiful!” she murmured. “Say it again.”

I said it again, and she repeated it after me.

Then a noisy old lady swooped down upon her, and I drifted away into a corner, where I tried to look as if I were enjoying myself, and failed.

Later on, feeling it time to go, I sought my friend, and found him talking to her in a corner. I approached and waited. They were discussing the latest east-end murder. A drunken woman had been killed by her husband, a hard-working artizan, who had been maddened by the ruin of his home.

“Ah,” she was saying, “what power a woman has to drag a man down or lift him up. I never read a case in which a woman is concerned without thinking of those beautiful lines of yours: ‘A good woman’s arms round a man’s neck is a lifebelt thrown out to him from heaven.’”

* * * * *

Opinions differed concerning her religion and politics. Said the Low Church parson: “An earnest Christian woman, sir, of that unostentatious type that has always been the bulwark of our Church. I am proud to know that woman, and I am proud to think that poor words of mine have been the humble instrument to wean that true woman’s heart from the frivolities of fashion, and to fix her thoughts upon higher things. A good Churchwoman, sir, a good Churchwoman, in the best sense of the word.”

Said the pale aristocratic-looking young Abbé to the Comtesse, the light of old-world enthusiasm shining from his deep-set eyes: “I have great hopes for our dear friend. She finds it hard to sever the ties of time and love. We are all weak, but her heart turns towards our mother Church as a child, though suckled among strangers, yearns after many years for the bosom that has borne it. We have spoken, and I, even I, may be the voice in the wilderness leading the lost sheep back to the fold.”

Said Sir Harry Bennett, the great Theosophist lecturer, writing to a friend: “A singularly gifted woman, and a woman evidently thirsting for the truth. A woman capable of willing her own life. A woman not afraid of thought and reason, a lover of wisdom. I have talked much with her at one time or another, and I have found her grasp my meaning with a quickness of perception quite unusual in my experience; and the arguments I have let fall, I am convinced, have borne excellent fruit. I look forward to her becoming, at no very distant date, a valued member of our little band. Indeed, without betraying confidence, I may almost say I regard her conversion as an accomplished fact.”

Colonel Maxim always spoke of her as “a fair pillar of the State.”

“With the enemy in our midst,” said the florid old soldier, “it behoves every true man—aye, and every true woman—to rally to the defence of the country; and all honour, say I, to noble ladies such as Mrs. Clifton Courtenay, who, laying aside their natural shrinking from publicity, come forward in such a crisis as the present to combat the forces of disorder and disloyalty now rampant in the land.”

“But,” some listener would suggest, “I gathered from young Jocelyn that Mrs. Clifton Courtenay held somewhat advanced views on social and political questions.”

“Jocelyn,” the Colonel would reply with scorn; “pah! There may have been a short space of time during which the fellow’s long hair and windy rhetoric impressed her. But I flatter myself I’ve put my spoke in Mr. Jocelyn’s wheel. Why, damme, sir, she’s consented to stand for Grand Dame of the Bermondsey Branch of the Primrose League next year. What’s Jocelyn to say to that, the scoundrel!”

What Jocelyn said was:—

“I know the woman is weak. But I do not blame her; I pity her. When the time comes, as soon it will, when woman is no longer a puppet, dancing to the threads held by some brainless man—when a woman is not threatened with social ostracism for daring to follow her own conscience instead of that of her nearest male relative—then will be the time to judge her. It is not for me to betray the confidence reposed in me by a suffering woman, but you can tell that interesting old fossil, Colonel Maxim, that he and the other old women of the Bermondsey Branch of the Primrose League may elect Mrs. Clifton Courtenay for their President, and make the most of it; they have only got the outside of the woman. Her heart is beating time to the tramp of an onward-marching people; her soul’s eyes are straining for the glory of a coming dawn.”

But they all agreed she was a charming woman.

-->

THE SELFISH GIANT

by: Oscar Wilde (1854-1900)

The following story is reprinted from The Happy Prince and Other Tales. Oscar Wilde. London: David Nutt, 1888.

Every afternoon, as they were coming from school, the children used to go and play in the Giant’s garden.

It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit. The birds sat on the trees and sang so sweetly that the children used to stop their games in order to listen to them. “How happy we are here!” they cried to each other.

One day the Giant came back. He had been to visit his friend the Cornish ogre, and had stayed with him for seven years. After the seven years were over he had said all that he had to say, for his conversation was limited, and he determined to return to his own castle. When he arrived he saw the children playing in the garden.

“What are you doing here?” he cried in a very gruff voice, and the children ran away.

“My own garden is my own garden,” said the Giant; “any one can understand that, and I will allow nobody to play in it but myself.” So he built a high wall all round it, and put up a notice-board.

TRESPASSERS

WILL BE

PROSECUTED

He was a very selfish Giant.

The poor children had now nowhere to play. They tried to play on the road, but the road was very dusty and full of hard stones, and they did not like it. They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside. “How happy we were there,” they said to each other.

Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter. The birds did not care to sing in it as there were no children, and the trees forgot to blossom. Once a beautiful flower put its head out from the grass, but when it saw the notice-board it was so sorry for the children that it slipped back into the ground again, and went off to sleep. The only people who were pleased were the Snow and the Frost. “Spring has forgotten this garden,” they cried, “so we will live here all the year round.” The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. “This is a delightful spot,” he said, “we must ask the Hail on a visit.” So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice.

“I cannot understand why the Spring is so late in coming,” said the Selfish Giant, as he sat at the window and looked out at his cold white garden; “I hope there will be a change in the weather.”

But the Spring never came, nor the Summer. The Autumn gave golden fruit to every garden, but to the Giant’s garden she gave none. “He is too selfish,” she said. So it was always Winter there, and the North Wind, and the Hail, and the Frost, and the Snow danced about through the trees.

One morning the Giant was lying awake in bed when he heard some lovely music. It sounded so sweet to his ears that he thought it must be the King’s musicians passing by. It was really only a little linnet singing outside his window, but it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world. Then the Hail stopped dancing over his head, and the North Wind ceased roaring, and a delicious perfume came to him through the open casement. “I believe the Spring has come at last,” said the Giant; and he jumped out of bed and looked out.

What did he see?

He saw a most wonderful sight. Through a little hole in the wall the children had crept in, and they were sitting in the branches of the trees. In every tree that he could see there was a little child. And the trees were so glad to have the children back again that they had covered themselves with blossoms, and were waving their arms gently above the children’s heads. The birds were flying about and twittering with delight, and the flowers were looking up through the green grass and laughing. It was a lovely scene, only in one corner it was still winter. It was the farthest corner of the garden, and in it was standing a little boy. He was so small that he could not reach up to the branches of the tree, and he was wandering all round it, crying bitterly. The poor tree was still quite covered with frost and snow, and the North Wind was blowing and roaring above it. “Climb up! little boy,” said the Tree, and it bent its branches down as low as it could; but the boy was too tiny.

And the Giant’s heart melted as he looked out. “How selfish I have been!” he said; “now I know why the Spring would not come here. I will put that poor little boy on the top of the tree, and then I will knock down the wall, and my garden shall be the children’s playground for ever and ever.” He was really very sorry for what he had done.

So he crept downstairs and opened the front door quite softly, and went out into the garden. But when the children saw him they were so frightened that they all ran away, and the garden became winter again. Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming. And the Giant stole up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant’s neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. “It is your garden now, little children,” said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o’clock they found the Giant playing with the children in the most beautiful garden they had ever seen.

All day long they played, and in the evening they came to the Giant to bid him good-bye.

“But where is your little companion?” he said: “the boy I put into the tree.” The Giant loved him the best because he had kissed him.

“We don’t know,” answered the children; “he has gone away.”

“You must tell him to be sure and come here to-morrow,” said the Giant. But the children said that they did not know where he lived, and had never seen him before; and the Giant felt very sad.

Every afternoon, when school was over, the children came and played with the Giant. But the little boy whom the Giant loved was never seen again. The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him. “How I would like to see him!” he used to say.

Years went over, and the Giant grew very old and feeble. He could not play about any more, so he sat in a huge armchair, and watched the children at their games, and admired his garden. “I have many beautiful flowers,” he said; “but the children are the most beautiful flowers of all.”

One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.

Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.

Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, “Who hath dared to wound thee?” For on the palms of the child’s hands were the prints of two nails, and the prints of two nails were on the little feet.

“Who hath dared to wound thee?” cried the Giant; “tell me, that I may take my big sword and slay him.”

“Nay!” answered the child; “but these are the wounds of Love.”

“Who art thou?” said the Giant, and a strange awe fell on him, and he knelt before the little child.

And the child smiled on the Giant, and said to him, “You let me play once in your garden, to-day you shall come with me to my garden, which is Paradise.”

And when the children ran in that afternoon, they found the Giant lying dead under the tree, all covered with white blossoms.